Happy St. Patrick's Day

Here is a little peak at my vintage button stash; I pulled out all the pretty greens and a few pearly shell and lacy translucent buttons too. My favourite of the bunch is the little green button with a rhinestone center. I like to imagine that it came off of a kelly green 50's cardigan worn by some elegant red haired beauty.

I don't have any Irish heritage, but growing up St. Patrick's day was celebrated in our house with much enthusiasm. My mom would make all of our food green, which was that special mix of gross and tasty that little kids love. There was a lot of green food colouring involved, some vegetables and lime jello for dessert of course. Nothing about drinking limeade and eating kiwis and avocados for breakfast have anything to do with being Irish, but it was a lot of silly fun, and they are really happy memories.

I hope today you take a moment to think of something from your own past to make you smile. I know we all could use some cheering up. Trying to help in any way we can makes a difference too. I've sent in my donation to the Canadian Red Cross to help with the Japan earthquake/tsunami relief, have you?


And now for something completely different:

Green Bird is tempted by the sunflower aroma wafting out of his favorite cafe...

Retro Oilcloth Shopping Bag

It's not all arts and crafts in the Tiny Apartment, sometimes I make the useful things that people in my life need help with. Still, I like to make practical things as pretty as I can manage, don't you? My sister wanted an upgrade for her wheeled shopping cart bag. The one which came on the frame was made from the cheapest polyester canvas-type material, it was black, ugly, flimsy and poorly designed. We went shopping for some oilcloth and had a lot of fun deciding which retro print to choose for its replacement. Oilcloth was the perfect choice because it is sturdy, needs no lining or interfacing to give the bag body, and is waterproof, which means my sisters groceries will arrive home safe and sound. In the end she settled on a very pretty brown and white traditional print of flowers and baskets, and a cool faux bois wood in dark brown.

I copied the basic pattern for the shape of the bag from the original, adding a more generous flap over the opening, velcro closures for the flap at two positions, so that the lid stays in place even when full (did I mention it rains a lot here on Vancouver Island?), grommets at the top to help the drawstring closure work smoothly, and a zippered pocket at the back.

After sewing this and a few other oilcloth projects I have some pointers for those interested in using this great material for the first time:

• Wrinkles: lay your oilcloth open flat for a couple of hours in a warm room, or if you are in a rush, use a warm hairdryer at a distance of at least a foot to coerce it to flatten out.
• Oilcloth doesn't like irons! Finger press, or use the smooth edge of a spoon to press open seams or crease folds. Really, put away the iron, you will have only yourself to blame for the mess created by thinking that you could use a lower setting or a pressing cloth and then melting your project onto your iron.
• A Teflon foot really helps. Oilcloth is slightly tacky so if you don't have a Teflon foot, you can use masking tape on the bottom of your foot to help your project go smoothly.
• Use a long stitch length (I set my machine to about 2mm) which is less likely to cause rips.
• Pin your project only in the seam allowance, or better yet, use binder clips to hold everything in place, as pins will permanently mark oilcloth.
• For the bow applique, I used some adhesive spray to hold it in place (remember, no pins!), and then zigzagged over the edges.
• In order to reinforce the seams, which could be stressed by heavy loads, I used french seams to sew together the body of the shopping bag.
• When you are designing your project, remember that oilcloth doesn't fray, so you can simplify a lot of designs that would require a finished seam if you were sewing with a woven material.

If you have never sewn anything with a french seam, give it a try! The first time I attempted it, it felt funny sewing everything right sides out, but when you are done, you have a strong, clean finish inside. It is a great way to make laundry/shopping bags or little bags for organizing things in your home. Remember to add extra seam allowance to your projects if you use a french seam, as it eats up extra fabric. There is a great tutorial for making simple linen drawstring bags with french seams over at Between the Lines if you are interested in trying it out yourself.

Felted Brown Mushrooms and Lichen Covered Rocks

I am working on another small terrarium. The inspiration for this one comes from hiking in the dry open forests of the Gulf Islands. There is not a lot of rainfall in the summer and the forest floor is covered with moss and beautiful lichens. When the first real rain comes in the fall we go on mushrooming expeditions. My favourite wild mushrooms to eat are the Chanterelles, but the smooth rusty brown-capped Bolete mushrooms are always exciting to find. If you would like to try making these little brown mushrooms, check out my needlefelted mushroom tuturial!

My favourite mushrooming field guide is All That The Rain Promises and More... by David Arora. The book is small enough to fit into your jacket pocket, is filled with wonderful photos, and is really easy to use. The best thing is that while it is not a complete compendium of every mushroom species known to man, it has all the really tasty mushrooms you want to look for, and very carefully compares and contrasts these with any local mushroom "lookalikes" which are actually poisonous. The book is also filled with hilarious stories, interesting recipes and poems. It is very unique and I think it appeals to the quirky people who run about the woods on their hands and knees searching for elusive and delicious fungi.

I know that fall is long way away, but don't forget that those elusive Morels come up in the spring! 

**If you have never been mushrooming before, it is wise to go with a more experienced buddy, or join a local mycology society. I have been hunting mushrooms since I was a child but if I am ever less than 100% sure of my identification, I leave it behind.

Intertidal Embroidery Project - WIP

I have been working for a while now on an embroidery piece inspired by the tidepools surrounding the rocky beaches of Southern Vancouver Island. It isn't really a finished work, I feel like it is more of an embroidered sketchbook for a future project. I am using cotton embroidery thread on white linen, with a little silk applique. Above is a Purple Ochre Star, which is the most common starfish where I live. Depending on what part of the coast you live on, Ochre Stars will vary in colour from the deepest purple, to bright pink and orange. The purple variety is the most common here, but in every large pool there are a few salmon pink sea stars too.

One of my favourite things are the sea anemonies. Even though my first instinct is to make things really challenging and complicated, I am always most impressed with artists that are able to use very simple shapes and effortless looking styles to say more. I wanted to show the way the anemonies aggregate and squish together without being too fussy. I really am in love with their irregular oval shapes, made with just radiating straight stitches.
I added some bright green silk applique and heavy satin stitching to make green algae. I also really like the feathery red algae, and it is very easy to get carried away sewing the branching fronds with finer and finer thread.

I am still trying to figure out the best way to make embroidered barnacles. I think that they would look best done in white or light grey on a darker background like navy blue. I would love to see all their angular shapes, like living prisms, feeding with their feathery appendages.

The part of this project that has me stuck is how to execute the embroidery composition so that it looks modern, unfussy and striking. What I have right now is a jumble of things tangled together, which is how they live in real tidepools, but in my opinion is not the most effective presentation. I think that embroidery can be a very modern feeling medium, but you have to be careful with its treatment to do so. I really want to be sure that this project doesn't tread into stuffy "embroidery sampler" territory.

I am thinking about making 3 or 4 small pieces, each with only one or maybe two different species, but linked by style or by how they are framed. I think it might be make them feel more modern to frame them simply in their hoops. What do you think?

"Shoelace" Stitch - mini handsewing tutorial

I decided I could do a better job explaining the handsewing technique that I was trying to tell you about in my last post so here is a little mini-tutorial in case you would like to try it. In my example above I have used a contrasting 6 stranded embroidery thread just so everything shows up nicely. You would want to use a closely matching, strong sewing thread in your real work.

As you can see above, the needle is inserted into the felt from the inside of the seam into one side and then from the inside of the seam to the other side, each time moving forwards a few millimeters and alternating directions. When you pull the thread tight the stitches bite into the felt and become almost invisible. I tend to sew about a half of an inch or so and then pull the thread tight, then sew another half inch, tightening my stitches as I go. Below you can see the untightened stitches on the left, and on the right are stitches which have been pulled tight.

Gently pulling the stitches will result in leaves that look slightly notched. Pull the thread tighter, and you get distinctly notched leaves that curve outwards. Pull very tight, more on one side of a leaf than the other, and you get leaves that twist and bend (pull the thread too tight, and it will snap and you will have to stomp your feet and start over). It is a great way to add simple three dimensional shape to a plant. Also, the thread seems to disappear into the felt, but without crushing the outer shape the way that blanket or overcast stitches seem to do when they are pulled tightly. To help shape the leaf the way you want, sometimes you can take the leaf and tug on the shape slightly to redistribute the gathers you have made.

 

 Above are three leaves that I have stitched using this technique. Each leaf started exactly the same shape and size. By tightening and gathering the stitches you are able to make progressively more curved leaves. If you find that you aren't able to tighten the stitches easily and want a more curved leaf, you might have to try spacing your stitches out a little more.

You could use leaves like this to build your own succulent felt plant, or you could pair a leaf with a felt flower to make a pretty pin or clip. If anybody knows the real name for this stitch I would love to find out. 

Needle Felted Succulent Terrarium

Ever since I made my first felt terrarium I have searching my local thrift stores for the perfect glass containers so I can make some more. This week scroungers luck was with me and I now have 4 glass terrariums waiting to be turned into special little microcosms! It is snowing outside and I am thinking of summer, so I decided to make my terrarium out of felted versions of sun-loving succulents. I love the colours and shapes and I wish I had a patio where I could expand my collection - have you seen Geninne's? I am so jealous.

Succulents really lend themselves to being made from felt because their leaves have a natural "plush" look to them and the wool seems to take on their soft palette of greens and blues easily.

Because the beautiful colours of these plants was such a big part of my inspiration, I have to admit to being really fussy about colour with this project. I hand-dyed the sheets of wool felt, starting with either cream or white, to get different grades of blue-greens. To achieve the yellow-green of the tiny filler plants in the front of the terrarium I over-dyed very light blue-green felt with natural turmeric (handy tutorial from Lion Brand for dying wool with turmeric). For the jade plant, I layered wisps of wool roving in white, light green, bright magenta and soft lavender, in order to get the leaves just right.

I knew I would have to make some tall succulent plants in order to make my terrarium look full. I decided that I would start with a jade plant, as I had a real plant in my living room to study. After searching the internet, I think I may actually be the first person crazy enough to needle-felt a jade plant. Trust me to make an everlasting version of a plant that already is drought resistant and impossible to kill! It is made with a pipe cleaner armature. I needle-felted a smooth stalk and smaller side branch around the pipe cleaner in light green wool. The leaves were attached to the stalk, alternating directions with each pair. Oh, did I mention, I also stabbed myself about a hundred times? I need to figure out a better way to felt the edges of thin leaves that doesn't involve sandwiching my barbed needle between my fingers.

The "Hens and Chicks" type succulents were made almost the way you would make a rose. I started with a small cone of needle felted wool, and then built the plant around this, starting with the smallest leaves and adding larger and larger leaves. The outermost layers are not only double felt, but stuffed with wool roving. I also made a second tall succulent with many cone-shaped leaves, some tiny filler plants, as well as some large curling leaves that I used for the background. Everything was arranged and sewn down to a terracotta-coloured needle felted base.

I also discovered a new (probably only new to me) stitch for sewing together two layers of felt; I am going to call it "Shoelace" stitch, because that is how I sew it.
**Update: I have moved the description for the Shoelace stitch to its own mini-tutorial here.

Valentines Day Craftbook Challenge Fail

Check out this cute little frog! A dear reader, Raquel, made him following my instructions for the felt owl measuring tape and was kind enough to send me a photo of him. He is so great, good job Raquel. (I really love getting this kind of mail, if anyone out there completes any of my projects, please please please send me a photo!)

I want to thank you all again for entering the giveaway, your kind comments were overwhelming as always. Congratulations to the the winners! Gem of GemmaJoy, from Brisbane Australia, and Kristin of Kleas, from Minneapolis MN, your keychain clutches and earrings are in the mail. You both have lovely blogs and I am so happy that the randomizer picked you :)
So I had this fabulous idea to make myself some cute zakka-style oven mitts for Valentines Day. I don't even have plain-old regular oven mitts and I burn myself every time I try to take something out of the oven so I was pretty excited about this project. I gathered up my materials: some pretty vintage cotton rickrack and Japanese crochet lace trim, some linen-esque fabric with a cute red stripe pattern, pretty red and white dot lining and some space age silvery batting. And to make my project over the top, cross stitched little fawns from the wonderful book, A Rainbow of Stitches, by Agnes Delage-Calvet, Anne Sohier-Fournel, Muriel Brunet, and Francoise Ritz. 

How can this go wrong I ask you? OK, on to the FAIL part of my Valentines Day Craft Book Challenge project...
Do you see what I see? Maybe we need to do a little closeup: 

Is it just me, or does that little fawn look, sort of, well, Grinchy? I think it isn't just me. These little fawns are evil twins. I can't have them on my oven mitts. They look like they might burn me with their disapproving stares. Really, I don't know how I didn't notice this until I had appliqued the little red hearts and rick rack around each of them.

I think maybe it is just one of those problems that eyes are so dang expressive, and my little half-stitch is somehow making the deer all squinty and mean, and if you tried this, your half-stitch would make the deer look sad, or happy, or confused etc...

The project picture of these little fawns in the book look decidedly sweet, which is why I chose them in the first place:

So what am I going to do with these little hearts? Should I make them into snarky anti-valentines? Give them to someone nearsighted? Carefully unpick all the stitches and burn them so they can't come alive at night and do the bidding of an evil overlord? (perhaps I have watched too much science fiction)

Happy Valentines Day everyone! Tell a friend how much you care about them.